А Б В Г Д Е Ж З И К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D I F G H IJ K L M N O P Q R S TU V WX Y Z #


Чтение книги "Архитектура и иконография. «Тело символа» в зеркале классической методологии" (страница 93)

   Архитектура и архитекторы (проблемы архитектурного творчества)

   249. Andrews, Francis B. Mediaeval Builder and His Methods. New York, 1992.
   250. Balakier, Stewart Ann; Balakier James J. Te Spatial Infnite at Greenwich in Works Christopher Wren, James Tornhill and James Tomson: Te Newton Connection. New York, 1995.
   251. Booz, Paul. Der Baumeister der Gotik. München-Berlin, 1956.
   252. Brothers, Cammy. Michelangelo, Drawing, & the Invention of Architecture. New Haven – London, 2008.
   253. Coulton, J. Greek Architects at Work: Problem of Structure and Design. London, 1977.
   254. Downey, G. Byzantine Architects, their Training and Methods // Byzantion, 18, Paris-Liège, 1946.
   255. Edgerton, Samuel Y. Te Heritage of Giotto’s Geometry: Art and Science on the Eve of the Scientifc Revolution. Ithaca (NY), 1994.
   256. Goldberger, Paul; Gray, Susan (Ed.). Architects on Architects. Cambridge (Mas.), 2002.
   257. Jarzombek, Mark. On Leon Baptista Alberti: His Literary and Aesthetic Teories. Cambridge (Mas.), 1990.
   258. Kostof, Spiro (Ed.). Te Architect: Chapters in the History of the Profession. Berkeley – Los Angeles – London, 1977.
   259. Kreul, Andreas. Johann Bernhard Fischer von Erlach. Regie der Relationen. Salzburg, 2006.
   260. Lefaivre, Liane. Leon Battista Alberti’’s Hypnerotomachia Poliphili: Re-Cognizing the Architectural Body in the Early Italian Renaissance. Cambridge (Mas.), 2005.
   261. McNeill, Tom. Faith, Pride and Works: Medieval Church Building. London, 2006.
   262. McPhee, Sarah. Bernini and the Bell Towers: Architecture and Politics at the Vatican. New Hawen – London, 2002.
   263. Müller, Claudia. Unendlichkeit und Transzendenz in der Sakralarchitektur Guarinis. Hildesheim – Zürich – New York, 1986.
   264. Peter, John. Te Oral History of Modern Architecture. Interviews with the Greatest Architects of the Twentieth Century. New York, 1994.
   265. Pollak, Martha. Te Education of the Architect: Historiography, Urbanism and the Growth of Architectural Knowledge. Cambridge (Mas.), 1997.
   266. Raguin, Virginia C., Draper, Peter, Brush, Kathryn (Eds.). Artistic Integration in Gothic. Toronto, 1995.
   267. Ricken, Herbert. Der Architekt. Geschichte eines Berufs. Berlin, 1977.
   268. Sedlmayr, Hans. Johann Bernhard Fischer von Erlach [1956]. München, 1997.
   269. Sekler, Eduard. Der Architekt im Wandel der Zeichen // Der Aufau, H. 12, Wien, 1959.
   270. Архитектурное творчество Микеланджело. Сб. пер. М., 1936.
   271. Баталов А.Л. Московское каменное зодчество конца XVI века. Проблемы художественного мышления эпохи. М., 1996.
   272. Глазычев В.Л. Эволюция творчества в архитектуре. М., 1987.
   273. Данилова И.Е. Брунеллески и Флоренция. Творческая личность в контексте ренессансной культуры. М., 1991.
   274. Мастера архитектуры об архитектуре. М., 1972.
   275. Мастера советской архитектуры об архитектуре. Т. 1-2. М., 1975.
   276. Муратова К. Мастера французской готики XII-XIII веков. Проблемы теории и практики художественного творчества. М., 1988.
   277. Ревзина Ю.Е. Обманчивые птенцы. Модель в архитектурной практике итальянского Возрождения // Итальянский сборник. Вып. 2, М., 2000, с. 69-104.
   278. Она же. Инструментарий проекта. От Альберти до Скамоцци. М., 2003.

   Архитектура, конструкция, типология

   279. Architektur des Mittelalters. Funktion und Gestalt. Weimar, 1983.
   280. Banham, Reyner. Teory and Design in the First Machine Age. Cambridge (Mas.), 1970.
   281. Brandi C. Struttura e architettura. Torino, 1971.
   282. Chitham, Robert. Te Classical Orders of Architecture. New York, 1985.
   283. Coulton, J. Ancient Greek Architects at Work: Problems of Structure and Design. Ithaca (NY), 1982.
   284. Engel, Heino; Rapson, Ralph; Bandel, Hannskarl. Tragsysteme/Structure Systems. Ostfldern, 1998.
   285. Fitchen, John. Building Construction before Mechanization. Cambridge (Mas.), 1989.
   286. Fitchen, John. Te Construction of Gothic Cathedrals: a Study of Medieval Vault Erection. Chicago (Il.), 1997.
   287. Frampton, Kenneth and Hartoonian, Gevork. Ontology of Construction: On Nihilism of Technology and Teories of Modern Architecture. Cambridge, 1994.
   288. Fry, Tony. A New Design Philosophy: An Introduction to Defuturing. Sydney, 1999.
   289. Furnari, Michele. Formal Design in Renaissance Architecture: From Brunelleschi to Palladio. New York, 1995.
   290. Gelernter, Mark. Sources of Architectural Form: A Critical History of Western Design Teory. Manchester, 1995.
   291. Holgate, Alan. Aesthetics of Built Form. New York, 1992.
   292. Macdonald, Angus J. Structure and Architecture. Oxford, 1994.
   293. Monice Malnar, Joy and Vodvarka, Frank. Sensory Design. Minneapolis, 2004.
   294. Parsons, W. B. Engineers and Engineering in the Renaissance. London, 1961.
   295. Pevsner, Nikolaus. A History of Building Types. Berkeley (Ca), 1979.
   296. Pfammatter, Ulrich. Te Making of the Modern Architect and Engineer the Origins and Development of a Scientifc and Industrially Oriented Education. Chicago, 2000.
   297. Rykwert, Joseph. Dancing Column: On Order in Architecture. Cambridge (Mas.), 1996.
   298. Simonnet, Cyrille. L’architecture ou la fction constructive. Paris, 2001.
   299. Simonnet, Cyrille. Les Architectes et la construction. Paris, 1994.
   300. Гуляницкий Н.Ф. Архитектурный образ и конструктивная структура // Проблемы теории советской архитектуры. М., 1973.
   301. Демидова М. Ансамбль Фонтенбло и «война дворцов». Метаморфозы античной виллы // Искусствознание 1/02. М., 2002. С. 238-255.
   302. Джонс Дж. К. Инженерное и художественное конструирование. М., 1976.
   303. Михаловский И.Б. Архитектурные формы античности [1939]. М., 2006.
   304. Михаловский И.Б. Теория классических архитектурных форм [1940]. М., 2006.

   Архитектурное пространство

   305. Arin, E. Objekt und Raumzeichnen in der Architektur. Stuttgart, 1981.
   306. Banham, Reyner. Te Architecture of the Well-Tempered Environment. Chicago, 1969.
   307. Beatriz, Colomina (Ed.). Sexuality & Space. New York, 1992.
   308. Bechman, Roland. Villard de Honnecourt. La pensée technique au XIIe siècle et sa communication. Paris, 1991.
   309. Benjamin, Andrew. Architecture, Space, Painting. New York. 1992.
   310. Bolnow, Otto Friedrich. Mensch und Raum. Stuttgart, 1963.
   311. Casey, Edward. Te Fate of Place: A Philosophical History. Berkely – Los Angeles – London, 1997.
   312. Baird, George. Te Space of Appearance. Cambridge (Mas.), 1995.
   313. Ching, Frank D.K. Architecture: Form, Space, and Order. New York, 1998.
   314. Conti, Flavio. Architecture as Environment. Orlando (Fl.), 1980.
   315. Critchlow, Keith. Order in Space. London, 1969.
   316. Desportes, Marc. Paysages en mouvement: Transports et perception de l’espace XVIIIe-XXe siecle. Paris, 2005.
   317. Doesinger, Stephan (Ed.). Space between People: How the Virtual Changes Physical Architecture. Munich, 2008.
   318. Dovey, Kim. Framing Places: Mediating Power in Built Form. London, 1999.
   319. Esser, Karl-Heinz. Der Architekturraum als Erlebnisraum. Bonn, 1939.
   320. Ford, Larry R. Te Spaces between Buildings. Baltimore, 2000.
   321. Frampton, Kenneth; Oswald, Franz; and von Meiss, Pierre. Te Elements of Architecture: From Form to Place. London, 1990.
   322. Goldwater, R. Space and Dream. New York, 1967.
   323. Grosz, Elizabeth Eisenman, Peter. Architecture from the Outside: Essays on Virtual and Real Space. Cambridge (Mas.), 2001.
   324. Habraken, N.J. Te Structure of the Ordinary: Form and Control in the Built Environment. Cambridge (Mass.), 2000.
   325. Hanawalt, Barbara A.; Michael Kobialka. Medieval Practices of Space. Minneapolis, 2000.
   326. Harbison, Robert. Eccentric Spaces [1977]. Cambridge (Mas.), 1983.
   327. Hillier, Bill. Space Is the Machine: A Confgurational Teory of Architecture. Cambridge, 1996.
   328. Kaufmann, Tomas Dacosta; Pilliod, Elizabeth. Time and Place: Te Geohistory Of Art (Histories of Vision). London, 2005.
   329. Laan van der, Hans. Architectonic Space: Fifeen Lessons on the Disposition of the Human Habitat. Leiden, 1983.
   330. Markus, Tomas A.; Cameron, Deborah. Te Words between the Spaces: Buildings and Language. New York, 2001.
   331. Menin, Sarah (Ed.). Constructing Place: Mind and the Matter of Place-making. New York, 2003.
   332. Mer, Marc. Zur Architektur des Raumes. Eine philosophische Szenerie. Momente und Motive raumbildender Kunst. Münster, 2004.
   333. Müller, Werner und Quien, Norbert. Erdachte Formen, errechnete Bilder. Deutschlands Raumkunst der Spätgotik in neuer Sicht. Weimar – Kromsdorf, 2001.
   334. Müller, Werner. Barocke Raumphantasien. Gebaute Wirklichkeit und konstruierter Schein. Petersberg, 2004.
   335. Paumann, Luisa. Vom Ofenen in der Architektur: Raum-Denken jenseits des Poststrukturalismus. Wien, 2008.
   336. Perez-Gomez, Alberto, and Parcell, Stephen (Eds.). Chora: Intervals in the Philosophy of Architecture. Book 1-3. Kingston, 1994-1999.
   337. Porter, Tom. Architect’s Eye: Visualization and Depiction of Space in Architecture. London, 1997.
   338. Tschumi, Bernard. Questions of Space: Text 5. London, 1995.
   339. Ven, Cornelis van de. Space in Architecture: Te Evolution of a New Idea in the Teory and History of the Modern Movements. Assen, 1987.
   340. Vogt-Göknil, Ursula. Architektonische Grundbegrife und Umraumerlebnis. Zürich, 1951.
   341. Zevi, Bruno. Architecture as Space: How to Look at Architecture. Cambridge (Mas.), 1993.
   342. Габричевский А.Г. Пространство и масса в архитектуре. М., 1923.
   343. Глазычев В.Л. Образы пространства // Творческий процесс и художественное восприятие. М., 1978.
   344. Иконников А.В. Пространство и форма в архитектуре и градостроительстве. М., 2006.

   Архитектура, геометрия и нумерология

   345. Blackwell, William. Geometry in Architecture. Emeryville (Са), 1984.
   346. Bloomer, Kent. Nature of Ornament: Rhythm and Metamorphosis in Architecture. New York, 2000.
   347. Evans, Robin. Te Projective Cast: Architecture and Its Tree Geometries. Cambridge (Mas.), 1995.
   348. Hautecoeur, Louis. Mystique et architecture: symbolisme du cercle et de la coupule. Paris, 1954.
   349. Hecht, Konrad. Mass und Zahl in der gotischen Baukunst [1970]. Hildesheim, 1997.
   350. Hersey, George L. Architecture, Poetry, and Number in the Royal Palace at Caserta. Cambridge (Mas.), 1983.
   351. Hersey, George L. Architecture and Geometry in the Age of the Baroque. Chicago, 2001.
   352. Kappraf, Jay. Connections: Te Geometric Bridge between Art and Science. London – New York, 2001.
   353. Karatani, Kojin. Architecture as Metaphor: Language, Number, Money. Cambridge (Mas.), 1995.
   354. Koetsier, Teun and Bergmans, Luc. Mathematics and the Divine: A Historical Study. New York, 2004.
   355. Leyton, Michael. Shape as Memory: A Geometric Teory of Architecture. Basel, 2004.
   356. March, Lionel, Wittkower, Rudolf. Architectectonics of Humanism: Essays on Number in Architecture. New York, 1998.
   357. Pennick, Nigel. Sacred Geometry: Symbolism and Purpose in Religious Structures. New York, 1982.
   358. Smith, Peter. Architecture and the Principle of Harmony. London, 1987.
   359. Strachan, Gordon. Chartres: Sacred Geometry, Sacred Space. Edinburgh, 2003.
   360. Visser, Margaret. Te Geometry of Love: Space, Time, Mystery and Meaning in an Ordinary Church. Berkeley (Ca), 2001.
   361. Боков А.В. Геометрические основания архитектуры и картина мира. М., 1995.
   362. Комеч А. И. Символика архитектурных форм в раннем христианстве // Искусство Западной Европы и Византии. М., 1978.
Чтение онлайн



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